Speculative Listening


Kim Lyle

Poster Design by Noah Hall
“We shape our tools, and thereafter our tools shape us.” - Winston Churchill 

Our behaviors, attitudes, society, and culture are unconsciously shaped by the technologies we use.  But, who is doing the shaping? The work in this exhibition questions and reimagines the values of early  acoustic listening machines that paved the way for the digital ones we live with today. Originally the  colonizing product of military funding during WWI, these listening devices were developed to  prioritize the sounds of enemy machinery and human presence with the goal of dominating another. 

Placed in a speculative past, this series of reimagined listening sculptures propose a world in which  these machines were trained to instead amplify the natural world. Sensitizing us to secret processes of  existence that are abound in the natural landscape, yet often go unheard or are drowned out by  human language and presence – an insect crawling, a stream of water flowing, the whisper of grass  growing. Driven by pluralistic and non-hierchical values, these machines seek only to understand the  local, surrounding environment in which they find themselves. In turn, creating a deeper awareness of  the more than human worlds amongst us.  

By peering into our technological past, we become better equipped to understand their impact in the  present. And more capable of imagining preferred versions for our future.





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